ornamental+expression
61Acacia — For other uses, see Acacia (disambiguation). Wattles redirects here. For the author, see Wallace Wattles. For other uses, see Wattle (disambiguation). Acacia Acacia greggii …
62Guilloché — is an engraving technique in which a very precise intricate repetitive patterns or design is mechanically etched into an underlying material with very fine detail. Specifically, it involves a technique of engine turning, called guilloché in… …
63Chapeltoun — Coordinates: 55°39′56″N 4°33′17″W / 55.66557°N 4.55484°W / 55.66557; 4.55484 …
64art and architecture, Iranian — ▪ ancient art Introduction the art and architecture of ancient Iranian civilizations. Any reservation about attributing to Iran primary status among the countries contributing to the art of the ancient Middle East must be associated… …
65Archaeology of the Cross and Crucifix — Archæology of the Cross and Crucifix † Catholic Encyclopedia ► Archæology of the Cross and Crucifix I. PRIMITIVE CRUCIFORM SIGNS The sign of the cross, represented in its simplest form by a crossing of two lines at right angles,… …
66The Vatican — The Vatican † Catholic Encyclopedia ► The Vatican This subject will be treated under the following heads: I. Introduction; II. Architectural History of the Vatican Palace; III. Description of the Palace; IV. Description of the… …
67Momin Mosque — after restoration by the Archaeological Department of Bangladesh in 2008 …
68Christian cross — A reliquary in the form of an ornate Christian Cross The Christian cross, seen as a representation of the instrument of the crucifixion of Jesus Christ, is the best known religious symbol of Christianity.[1] …
69Orchidaceae — Orchid redirects here. For other uses, see Orchid (disambiguation). Orchidaceae Temporal range: 80 Ma …
70Sutton Hoo — restored). Although based on helmets of the spangenhelm type, the immediate comparisons are with contemporary Vendel Age helmets from eastern Sweden.] Sutton Hoo near Woodbridge, Suffolk, England, is the site of two Anglo Saxon cemeteries of the… …
